Both biblical and modern in scope, Zvyagintsev's epic film indicts the corrupt intertwined power structures of the Russian Orthodox Church and State with pointed finality.
The monumentally lumbering beast of Job 41 in AndreyZvyagintsev'sLeviathan [Левиафан] is the oppressive, shadowy current of Putinist rule. Commencing with an orchestration of Philip Glass' stunning, undulating Akhnaten Act I Prelude that underscores a s